Tag: resonance

Europa Moon “Facts!”

Europa Moon “Facts!”

I create a lot of artifacts of world-building, and a friend of mine suggested they could be of interest to readers. So here’s first of a series on “facts” about the moons of Jupiter that appear in Resonance. The moons are settings, but also characters, and I kinda love them. Words + (most) images = mine, plus a healthy dose of actual facts from NASA. Enjoy!

Europa “Facts” circa 2521 ce

If you’d prefer a graphic-story version instead of a video, I’ve put the pages on my web comic site and/or you can download them as a PDF.

New Novel Resonance Released!

I’ve wanted to share the story that starts in Resonance for over 20 years, and here it is. I’m excited, and hopeful, and terrified–which is all weirdly in alignment with the book’s exploration of the edge of hope and fear. Perhaps I’ve summoned an élan of my own. I love these characters and their weird story of neurodivergent experience and alien influence, and I hope you do too. Many thanks to Autonomous Press for their support of neurodivergent/queer authors and stories.

Outrageous and acclaimed, 26th-century musician Caran Watts depends on two secrets to stay alive: a dangerous drug that hides his illegal neurodivergence and an alien species whose vulnerable existence he has sworn to protect. But when he arrives in the Galilean system to tour his latest work, those secrets are hijacked by a powerful force to advance a genocidal plot. As fear infects Jupiter’s moons, Caran must choose whether to keep hiding or risk both his own life and the aliens in hope of a better future.

Current ways to read:

Resonance Themes & Motivations

I have a new book coming out in March 2022 called Resonance. It’s a literary science fiction novel set in the same world as Hoshi. It’s about what lives on the edge of hope and fear and the transformative power of art.

The groundwork for this novel (and the one that follows it–indeed all the Liminal Universe world-building) began more than 20 years ago. The first appearance of the book’s central characters—the human Caran Watts and the alien Muse–is time-stamped 2002 in my exploratory writings. It’s not a stretch to say most of my motivation to hone my lit-craft has been to be able to tell this story.

The back-of-the-book text goes like so:

Outrageous and acclaimed, 26th-century musician Caran Watts depends on two secrets to stay alive: a dangerous drug that hides his illegal neurodivergence and an alien species whose vulnerable existence he has sworn to protect. But when he arrives in the Galilean system to tour his latest work, those secrets are hijacked by a powerful force to advance a genocidal plot. As fear infects Jupiter’s moons, Caran must choose whether to keep hiding or risk both his own life and the aliens in hope of a better future.

I created the Liminal Universe because I was interested in paradigm shifts and social change. What does it take to move large populations to more equitable behavior? What makes some individuals focal points of those shifts? And, what if the paradigms themselves–or the ideas that comprise them–were sentient and we could talk to them? Would they change if we asked them to? Or would they push back?

From these what-ifs, the living ideas that are the élan vitals–like Muse–and the Operator rights movement–fueled, in part, by Mx. Watts–tumbled out.

I also wrote this novel because I was interested in a science fiction story that centers art. It’s usually strategy, or science, or politics, or some clever scheme. I love all of that, but for those of us who might have been saved by a paintbrush or a song, art deserves some room.

And lastly, I wrote this story because all of us neurodivergent, queer, traumatized, beautiful, struggling and imperfect, perfectly perfect, marvelous and marginalized hero/ines deserve to see ourselves on the page. Not shiny and oversimplified, not as inspiration porn, not as objects of pity or sad stakes. But as the complex and real people we are, making the best choices we can and creating wonder in a world that doesn’t make it easy, or straight-forward, to survive.

I love this world, this story, and these characters, and I hope you do too.

Athletic male dancing, leaving trails of colors and shapes behind in his movement.

Why “Liminal Universe”

In the category of, “things that make perfect sense in my brain but no one else’s,” is likely why I call the world where Hoshi and many of my other stories are set the “Liminal Universe.” Here’s the missing info.

liminal | ‘limǝnl |
adjective
1. relating to a transitional or initial stage of a process
2. occupying a position at, or on both sides of, a boundary or threshold
from Latin limen ‘threshold’

-Oxford American Dictionary

I started developing this universe over 20 years ago. At the time I was extremely interested in the concept of liminality. Okay, so I’m still extremely interested in the concept of liminality. The first novel I wrote in the world was named Liminal. It takes place about 50 years before the upcoming Resonance (55ish years before Hoshi). I still haven’t managed a draft of it I’m happy with, but hope to eventually as it’s the start of the cycle that Resonance and its companion book Revolution complete.

So how does this ‘verse connect with liminality?

Subliminal vs. supraliminal and thresholds of sensation – This is all about the élans, the aliens, the sensation of someone “walking over your grave” and humanity’s fascination with ghosts on the radio. The world of the aliens and the human world are largely subliminal to each other–outside each others’ ability to perceive–but that does not mean unconnected.

Social liminality – The Operators / nauta occupy a liminal position in society, being both valuable and marginalized. As someone who has always existed in liminal spaces, I tend to write about sectors that don’t fit into social norms, that occupy intersectional positions, or that have large amounts of fluidity, such as communities of individuals who are artists, exiles, or illegal.

The liminality of the Mem – The metaverse-cyberspace-virtual world of the Mem is as inherently liminal as our internet. I mean, really, what the heck is this thing? Is it real? Is it a collective dream? A bunch of zeros and ones or the place where we meet and live?

Literal thresholds between dimensional spaces – Although my SF is grounded in real complexity science and social science, I am not a physicist. So my handwavy way of managing space travel is to throw in some thresholds LOL. The places where space farers transition between realspace and dimensionspace are called, officially, Liminalities. For example, “The Stella-Maru crossed the Saturn Liminality from dimspace into the Sol system.”

Paradigmatic transitions and initial stages of first contact – One of the main reasons why I invented this ‘verse was to explore the transitional stages of paradigm shifts. What makes an entire population change its mind about something or see things in a new way? Also, these stories take place in the initial stage of negotiation and understanding between the humans and élans when outcomes still could go in any direction.

New Song / New Post: It’s the End of the World

Wow the past year was hard; I’m guessing for you too. Even though that meant most of my social media falling by the wayside, I did keep working behind the screens, and have some exciting things to share in the new year.

So happy Solstice season! Here’s a new song. Many thanks to Mr. Alphabet for vocals and City of Troy for visualization. I hope you enjoy it!

I wrote this song accident a few years ago. I was struggling with a scene a novel that required it. After months of failing to get the poetry right from any narrative distance, I closed my eyes, and plunked myself inside of the character, inside of the scene, performing the song. Not only did the lyrics resolve but all of the music too. So technically it’s not my song, it’s my character’s song, but I wrote it, because I wrote my character. Wot!? IT IS WEIRD LOL

Here it is on SoundCloud / audio-only if you’re not keen on video.

New Book Excerpt & Interview on All The Things

I’ll write more–maybe too much–about this as time goes on but here is the very first post squeeeee. I am too excited/terrified. Terricided? Excitified? I am a weirdo. HERE ARE ALL THE THINGS

1. The wonderful folks at Wordgathering interviewed me about disability fiction, Hoshi, my next book in Hoshi’s world, and other cool stuff! Read my interview!

2. They also published an except from said next book in Hoshi’s world! Read the excerpt!

3. Oh, yeah, there is a next book in that world and here is a preview of its cover

Black background. Jupiter and the four Galilean moos are across the top. Beneath them are rainbow waves above a slender male dancer who is keeling in a single spotlight. Sparks come from his hands and arms. At the bottom, the book title is "Resonance" and the author is "Dora M Raymaker"

TERRICITEIFIED and so many thanks to Wordgathering for being awesome!

Read all their stuff!

More to come!

Theme: Overlay by Kaira 2020 Dora M Raymaker
Portland, Oregon